Artist: Amy Scherer

• Acrylic on wood panel
• 14" H x 14" W

Scherer studied with NW Master William Cumming, whom she met at the Art Institute of Seattle, in 1984. His influence was instrumental in her understanding of color, design and its use in painting. Amy passes along years of experience and wisdom to her own students now as well as pursuing her full time career as a professional artist in Washington State.

• Oil on canvas
• 50" H x 46" W

Scherer studied with NW Master William Cumming, whom she met at the Art Institute of Seattle, in 1984. His influence was instrumental in her understanding of color, design and its use in painting. Amy passes along years of experience and wisdom to her own students now as well as pursuing her full time career as a professional artist in Washington State.

• Acrylic on canvas
• 20" H x 20" W

Scherer studied with NW Master William Cumming, whom she met at the Art Institute of Seattle, in 1984. His influence was instrumental in her understanding of color, design and its use in painting. Amy passes along years of experience and wisdom to her own students now as well as pursuing her full time career as a professional artist in Washington State.

• Acrylic on canvas
• 20" H x 20" W

Scherer studied with NW Master William Cumming, whom she met at the Art Institute of Seattle, in 1984. His influence was instrumental in her understanding of color, design and its use in painting. Amy passes along years of experience and wisdom to her own students now as well as pursuing her full time career as a professional artist in Washington State.

• Oil on canvas; unstretched
• 51" H x 51" W

Scherer studied with NW Master William Cumming, whom she met at the Art Institute of Seattle, in 1984. His influence was instrumental in her understanding of color, design and its use in painting. Amy passes along years of experience and wisdom to her own students now as well as pursuing her full time career as a professional artist in Washington State.

• Acrylic on canvas
• 48" H x 48" W

Scherer studied with NW Master William Cumming, whom she met at the Art Institute of Seattle, in 1984. His influence was instrumental in her understanding of color, design and its use in painting. Amy passes along years of experience and wisdom to her own students now as well as pursuing her full time career as a professional artist in Washington State.

• Acrylic on canvas
• 48" H x 48" W

Scherer studied with NW Master William Cumming, whom she met at the Art Institute of Seattle, in 1984. His influence was instrumental in her understanding of color, design and its use in painting. Amy passes along years of experience and wisdom to her own students now as well as pursuing her full time career as a professional artist in Washington State.

• Acrylic on canvas
• 30" H x 24" W

Scherer studied with NW Master William Cumming, whom she met at the Art Institute of Seattle, in 1984. His influence was instrumental in her understanding of color, design and its use in painting. Amy passes along years of experience and wisdom to her own students now as well as pursuing her full time career as a professional artist in Washington State.

• Acrylic on canvas
• 60" H x 40" W

Scherer studied with NW Master William Cumming, whom she met at the Art Institute of Seattle, in 1984. His influence was instrumental in her understanding of color, design and its use in painting. Amy passes along years of experience and wisdom to her own students now as well as pursuing her full time career as a professional artist in Washington State.

• Acrylic on canvas
• 48" H x48" W

Scherer studied with NW Master William Cumming, whom she met at the Art Institute of Seattle, in 1984. His influence was instrumental in her understanding of color, design and its use in painting. Amy passes along years of experience and wisdom to her own students now as well as pursuing her full time career as a professional artist in Washington State.

• Acrylic on panel
• 8" H x 8" W

Windswept by Amy Scherer is an abstract, textured portrait with rough brushstrokes and layered blues, browns, and rust tones. The figure feels partially obscured, almost weathered by wind or memory, giving the painting a moody, introspective, slightly turbulent atmosphere.

 

• Acrylic on panel
• 9.5" H x 9" W

Three in a Tree by Amy Scherer is a raw painting that feels energetic, with a loosely abstracted scene of figures in motion. Broad, angular brushstrokes and scraped textures create a sense of movement and tension. The cool blues and grays are punctuated by warm ochres and browns, giving it a rugged, outdoorsy atmosphere. Overall, it has a dynamic, expressive quality, suggesting struggle, balance, or shared effort rather than precise detail.