NW Ferry Archival print on rag paper “NW Ferry” is a strikingly minimal photograph that places a lone Washington State ferry small and solitary at the center of a vast, fog-shrouded expanse of Puget Sound. The image transitions from near-black water in the foreground through progressively lighter greys toward a sky that dissolves entirely into mist, the horizon barely discernible and the ferry itself just a small, determined shape pushing through the grey. Shot in monochrome, it strips the familiar scene down to its most essential and elemental — water, air, and a vessel finding its way through. The result is quietly extraordinary, a photograph as much about solitude and scale as it is about place. This new series of images feels much like a road trip taken with Brooke in the driver's seat. Adventuring from place to place, capturing intimate moments and broad vistas alike. We join the artist as she pushes to explore and experience all that the world has to offer. Read More
NW Forest Archival print on rag paper “NW Forest” is an upward-looking photograph taken deep within a Pacific Northwest forest on a misty, overcast day, the tall dark trunks of old-growth conifers rising toward a canopy that dissolves into soft white fog. The gnarled, outstretched branches of the lower trees reach across the frame in striking silhouette, while the upper boughs fade into the mist with a quiet, almost ethereal luminosity. The palette is cool and restrained — dark bark, sage green needles, and diffuse grey light — giving the image a mood that is simultaneously melancholy and serene. It is a photograph that captures the particular character of the Northwest forest in winter or rain, ancient and atmospheric, the kind of place that asks you to slow down and simply be in it. This new series of images feels much like a road trip taken with Brooke in the driver's seat. Adventuring from place to place, capturing intimate moments and broad vistas alike. We join the artist as she pushes to explore and experience all that the world has to offer. Read More
Monstera Archival print on rag paper “Monstera” is a richly dark, close-in photograph that fills the frame entirely with the sculptural leaves of a mature monstera plant, their distinctive fenestrations and sweeping lobes rendered in deep, lustrous greens against a near-black background. Fitts shoots in low, dramatic light that gives the leaves an almost lacquered quality, the pale veining of each leaf catching just enough illumination to reveal the extraordinary geometry within. The image is graphic and bold — less botanical study than formal composition — the overlapping leaves creating a layered, rhythmic pattern that is simultaneously lush and restrained. It is a photograph that finds genuine drama in the natural world, elegant and moody in equal measure. Read More
Lake Ann Archival print on rag paper “Lake Ann” is a breathtaking backcountry photograph taken from an elevated trail in the North Cascades, two wind-shaped subalpine firs framing the view down into a glacially carved valley where a small teal lake sits nestled among dense forest. Jagged, snow-streaked peaks rise in layers behind it, fading into a soft blue haze that gives the composition remarkable depth and scale. The image has the quality of a hard-earned reward — the kind of view that only reveals itself after miles of climbing — and Fitts captures it with the restraint it deserves, letting the landscape speak entirely for itself. It is a photograph about wilderness in its most complete and humbling sense. This new series of images feels much like a road trip taken with Brooke in the driver's seat. Adventuring from place to place, capturing intimate moments and broad vistas alike. We join the artist as she pushes to explore and experience all that the world has to offer. Read More
Crescent Lake Archival print on rag paper “Crescent Lake” is a still, atmospheric photograph that captures Olympic Peninsula's iconic glacial lake on a moody, cloud-wrapped day. The composition divides cleanly between the dark, glassy water in the foreground — its surface dimpled by rain and reflecting the forest above — and a dense wall of Pacific Northwest conifers rising steeply beyond the shore, low clouds streaming through the treetops in dramatic ribbons of white mist. Tucked almost invisibly into the treeline, a small cluster of cabins offers the only human presence, dwarfed entirely by the scale of forest and sky around them. It is a photograph that captures the particular grandeur of this region with quiet precision — vast, verdant, and deeply, beautifully remote. Read More
Coastal Archival print on rag paper “Coastal” is a sweeping long-exposure photograph taken from a high vantage point along the Pacific coast, the slow shutter transforming the surf into a silky, ethereal wash of pale blue-white that flows around dark volcanic rocks and dissolves into the distance. Sea stacks rise from the misty water in the middle ground, their silhouettes softened by coastal haze, while layered headlands and forested ridgelines recede into a soft, pale sky brushed with clouds. The foreground cliffs anchor the composition in something rugged and immediate, while everything beyond drifts toward the atmospheric and dreamlike. It is a photograph that captures the particular grandeur of the Pacific Northwest coast — wild, vast, and quietly breathtaking. This new series of images feels much like a road trip taken with Brooke in the driver's seat. Adventuring from place to place, capturing intimate moments and broad vistas alike. We join the artist as she pushes to explore and experience all that the world has to offer. Read More
Cape Flattery Archival print on rag paper “Cape Flattery” is a moody, layered photograph of Washington State's northwesternmost point, shot through a natural frame of out-of-focus evergreen boughs that draw the eye inward toward the dramatic sea stacks and cliff faces beyond. Dark teal water fills the middle ground, churning quietly around the base of a solitary rock formation topped with wind-shaped trees, while larger headlands recede into a pale, overcast sky behind it. The palette is cool and restrained — grey stone, deep green, steel blue — and the overall feeling is one of remote, elemental beauty, the kind of place that feels both discovered and untouched. Fitts captures the Pacific Northwest coast at its most quietly majestic, unhurried and utterly itself. This new series of images feels much like a road trip taken with Brooke in the driver's seat. Adventuring from place to place, capturing intimate moments and broad vistas alike. We join the artist as she pushes to explore and experience all that the world has to offer. Read More
Sunny Ferry Deck Archival print on rag paper “Sunny Ferry Deck” is a clean, quietly graphic photograph of the outer deck of a Washington State ferry on a bright, hazy day — the bleached white of the vessel's structure filling the frame in bold geometric planes, offset by the deep seafoam green of the railings and a single orange life preserver hanging at the upper deck, its warm color the perfect counterpoint to the cool, airy palette surrounding it. Beyond the railing, Puget Sound and a distant wooded shoreline stretch under a soft winter sky. Fitts again finds elegance in the utilitarian, composing the ferry's functional architecture into something spare and genuinely satisfying — a photograph that captures the unhurried, salt-aired pleasure of being on the water with nowhere to rush. This new series of images feels much like a road trip taken with Brooke in the driver's seat. Adventuring from place to place, capturing intimate moments and broad vistas alike. We join the artist as she pushes to explore and experience all that the world has to offer. Read More
Puyallup Ferry Archival print on rag paper “Puyallup Ferry” is a crisp, upward-looking photograph of the MV Puyallup — one of Washington State's beloved ferry fleet — shot close and at an angle that turns the vessel's hull into a study in geometry and color. The gleaming white of the superstructure curves dynamically against a pale blue sky, while the signature green of the upper deck adds a clean pop of color above the row of cabin windows. A warm wooden nameplate bearing "PUYALLUP" in gold lettering anchors the composition with a touch of old-fashioned character amid the vessel's otherwise utilitarian architecture. Fitts finds genuine graphic elegance in a deeply familiar Pacific Northwest icon, framing it with the eye of someone who has always looked at it with affection. This new series of images feels much like a road trip taken with Brooke in the driver's seat. Adventuring from place to place, capturing intimate moments and broad vistas alike. We join the artist as she pushes to explore and experience all that the world has to offer. Read More
Ferry Window Archival print on rag paper “Ferry Window” is a warmly observed interior photograph that frames the glittering waters of Puget Sound through the rounded rectangle of a ferry cabin window, an empty booth seat and table waiting in the foreground. The contrast between the worn, familiar interior — cream paneling, dark vinyl seating, sun falling across the tabletop — and the luminous, sparkling expanse of water and treeline beyond gives the image a quietly cinematic quality, the sense of a story just before it begins or just after it ends. Fitts captures the particular atmosphere of the Washington State ferry with affection and precision, finding in its unhurried, everyday rhythms something genuinely worth holding onto. This new series of images feels much like a road trip taken with Brooke in the driver's seat. Adventuring from place to place, capturing intimate moments and broad vistas alike. We join the artist as she pushes to explore and experience all that the world has to offer. Read More
Ferry Steps Archival print on rag paper “Ferry Steps” is a spare, quietly geometric photograph shot looking up a staircase on a Washington State ferry, the worn concrete steps rising toward a pale blue sliver of open sky framed by white structural beams and seafoam green railings. Fitts finds genuine graphic beauty in the utilitarian — the crossing diagonals of railing and beam, the rhythm of the treads, the warm glow of a single deck light — transforming a thoroughly ordinary passage into something almost architectural in its composition. The palette is soft and airy, the bleached whites and muted greens of the ferry's industrial infrastructure surprisingly elegant against the open sky. It is a photograph that rewards the habit of looking carefully at familiar things. This new series of images feels much like a road trip taken with Brooke in the driver's seat. Adventuring from place to place, capturing intimate moments and broad vistas alike. We join the artist as she pushes to explore and experience all that the world has to offer. Read More
Walla Walla Archival print on rag paper “Walla Walla” is a classic, perfectly composed open-road photograph shot from the centerline of a two-lane highway cutting straight through the golden high desert of eastern Washington, the road vanishing to a pinpoint on the horizon between flat, dry grassland and sage. Above, a vivid blue summer sky is populated with voluptuous, unhurried cumulus clouds that fill the upper half of the frame with easy grandeur. The image is symmetrical and deeply satisfying — the dashed yellow centerline, the white shoulder stripes, the telephone poles receding into the distance — all the visual grammar of the American road trip rendered with clarity and genuine warmth. It is a photograph about possibility and open space, the particular freedom of a long, straight road and nowhere pressing to be. This new series of images feels much like a road trip taken with Brooke in the driver's seat. Adventuring from place to place, capturing intimate moments and broad vistas alike. We join the artist as she pushes to explore and experience all that the world has to offer. Read More