Ballyhoo in Red Intaglio print on rag paper 30" H x 22" W Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. Read More
Double Pivot Intaglio print on rag paper 22" H x 30" W Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. Read More
Ornithology Japanese paper and brass wall sculpture 21" H x 19" W x 2.75" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Fluttering Japanese paper and brass wall sculpture 21" H x 23" W x 2" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Flit Japanese paper and brass wall sculpture 34" H x 25" W x 2.5" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Pinion Japanese paper and brass wall sculpture 48" H x 37" W x 2" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cape Japanese paper and brass wall sculpture 58" H x 38" W x 1.5" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Plash Japanese paper and brass wall sculpture 31" H x 31" W x 10" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cusp Japanese paper and brass wall sculpture 24" H x 13" W x 11.25" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Perpetual Rhythm II Japanese paper and brass wall sculpture 18" H x 16" W x 4" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Perpetual Rhythm I Japanese paper and brass wall sculpture 26" H x 36" W x 6" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cups K Japanese paper and brass wall sculpture 4.5" H x 6" W x 2.5" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More