Perpetual Rhythm II Japanese paper and brass wall sculpture 18" H x 16" W x 4" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Perpetual Rhythm I Japanese paper and brass wall sculpture 26" H x 36" W x 6" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cups K Japanese paper and brass wall sculpture 4.5" H x 6" W x 2.5" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cups J Japanese paper and brass wall sculpture 4.5" H x 9.5" W x 6.75" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cups I Japanese paper and brass wall sculpture 3" H x 9" W x 6.5" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cups H Japanese paper and brass wall sculpture 4" H x 12" W x 6" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cups G Japanese paper and brass wall sculpture 4" H x 14" W x 11" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cups F Japanese paper and brass wall sculpture 5" H x 11" W x 7" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cups E Japanese paper and brass floor sculpture 4.5" H x 13.5" W x 8" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cups D Japanese paper and brass floor sculpture 3" H x 17" W x 8.5" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cups C Japanese paper and brass floor sculpture 3.75" H x 9" W x 7" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Cups B Japanese paper and brass floor sculpture 4" H x 13" W x 8" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More