Cups A

Cups A

  • Japanese paper and brass floor sculpture
    • 3.5" H x 12.5" W x 8" D
Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence.
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Single Tree

Single Tree

  • Japanese paper and brass floor sculpture
  • 68" H x 16" W x 18" D
Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence.
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Mr Tiny

Mr Tiny

  • Japanese paper and brass floor sculpture
  • 54" H x 6" W x 6" D
Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence.
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Mr Super Tall

Mr Super Tall

  • Japanese paper and brass floor sculpture
  • 104" H x 15" W x 15" D
Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence.
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Mr Itty Bitty

Mr Itty Bitty

  • Japanese paper and brass floor sculpture
  • 31" H x 3" W x 3" D
Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence.
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Double Tree

Double Tree

  • Japanese paper and brass floor sculpture
  • 68" H x 33" W x 12" D
Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence.
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Crooked Neck

Crooked Neck

  • Japanese paper and brass floor sculpture
  • 60" H x 12" W x 12" D
Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence.
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Small Cloud

Small Cloud

  • Japanese paper and brass wall sculpture
  • 23" H x 18" W x 11" D
Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence.
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Peanut Cloud

Peanut Cloud

  • Japanese paper and brass wall sculpture
  • 24" H x 12" W x 9.75" D
Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence.
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Big Cloud

Big Cloud

  • Japanese paper and brass wall sculpture
  • 24" H x 44" W x 18" D
Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence.
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Untitled

Untitled

  • Archival intaglio print on rag paper
  • 30" H x 22" W
Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life.
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Ballyhoo in Red

Ballyhoo in Red

  • Archival intaglio print on rag paper
  • 30" H x 22" W
Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life.
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Lets Work Together

Lets Work Together

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