Double Tree Japanese paper and brass floor sculpture 68" H x 33" W x 12" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Crooked Neck Japanese paper and brass floor sculpture 60" H x 12" W x 12" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Small Cloud Japanese paper and brass wall sculpture 23" H x 18" W x 11" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Peanut Cloud Japanese paper and brass wall sculpture 24" H x 12" W x 9.75" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Big Cloud Japanese paper and brass wall sculpture 24" H x 44" W x 18" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Untitled Archival intaglio print on rag paper 30" H x 22" W Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. Read More
Curious Path Intaglio print on rag paper 30" H x 22" W Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. Read More
Unfurl Japanese paper and brass sculpture 16" H x 12" W x 10" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Hole-Opolis in Yellow Intaglio print on rag paper 30" H x 22" W Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. Read More
Casual Nexus Japanese paper and brass sculpture 17" H x 18" W x 9" D Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Effervescence Japanese paper and brass sculpture 24" H x 24" W Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. The medium she uses in this work is fine brass wire, which she employs gesturally, like pencil lines. The resulting structures are usually covered with a soft Japanese paper, creating translucent forms with a uniquely ethereal presence. Read More
Infinite Pass Intaglio print on paper 22" H x 22" W Nancy Mintz is currently exploring the diversity of natural biological communities in her work, focusing on the changes that affect them over time. She is especially interested in the forms of memory: the husks, pods, and shells left behind by the relentless fecundity of life. Read More