From the Terrace VII Shellac plate monoprint relief with stencil, unframed 39.5" H x 28" W Rachel Illingworth’s prints are quiet studies in structure and atmosphere. Using a reductive palette and geometric forms, she explores the balance between precision and softness — layering ink through shellac-coated cardboard plates to create subtle shifts in tone and texture. Her use of ombré and transparency draws the eye across the surface slowly, inviting close looks. The restrained color and form are not about simplicity, but about presence — how shape, repetition, and light can create space for reflection. Each print is a variation within a system: familiar, but never exactly the same. It’s in this gentle tension — between control and imperfection, clarity and haze — that the work quietly resonates. Read More
From the Terrace XX Shellac plate monoprint relief with stencil, unframed 39.5" H x 28" W Rachel Illingworth’s prints are quiet studies in structure and atmosphere. Using a reductive palette and geometric forms, she explores the balance between precision and softness — layering ink through shellac-coated cardboard plates to create subtle shifts in tone and texture. Her use of ombré and transparency draws the eye across the surface slowly, inviting close looks. The restrained color and form are not about simplicity, but about presence — how shape, repetition, and light can create space for reflection. Each print is a variation within a system: familiar, but never exactly the same. It’s in this gentle tension — between control and imperfection, clarity and haze — that the work quietly resonates. Read More
From the Terrace XVIIII Shellac plate monoprint relief with stencil, unframed 39.5" H x 28" W Rachel Illingworth’s prints are quiet studies in structure and atmosphere. Using a reductive palette and geometric forms, she explores the balance between precision and softness — layering ink through shellac-coated cardboard plates to create subtle shifts in tone and texture. Her use of ombré and transparency draws the eye across the surface slowly, inviting close looks. The restrained color and form are not about simplicity, but about presence — how shape, repetition, and light can create space for reflection. Each print is a variation within a system: familiar, but never exactly the same. It’s in this gentle tension — between control and imperfection, clarity and haze — that the work quietly resonates. Read More
From the Terrace XVIII Shellac plate monoprint relief with stencil, unframed 28" H x 39.5" W Rachel Illingworth’s prints are quiet studies in structure and atmosphere. Using a reductive palette and geometric forms, she explores the balance between precision and softness — layering ink through shellac-coated cardboard plates to create subtle shifts in tone and texture. Her use of ombré and transparency draws the eye across the surface slowly, inviting close looks. The restrained color and form are not about simplicity, but about presence — how shape, repetition, and light can create space for reflection. Each print is a variation within a system: familiar, but never exactly the same. It’s in this gentle tension — between control and imperfection, clarity and haze — that the work quietly resonates. Read More
From the Terrace XVII Shellac plate monoprint relief with stencil, unframed 39.5" H x 28" W Rachel Illingworth’s prints are quiet studies in structure and atmosphere. Using a reductive palette and geometric forms, she explores the balance between precision and softness — layering ink through shellac-coated cardboard plates to create subtle shifts in tone and texture. Her use of ombré and transparency draws the eye across the surface slowly, inviting close looks. The restrained color and form are not about simplicity, but about presence — how shape, repetition, and light can create space for reflection. Each print is a variation within a system: familiar, but never exactly the same. It’s in this gentle tension — between control and imperfection, clarity and haze — that the work quietly resonates. Read More
From the Terrace XII Shellac plate monoprint relief with stencil, unframed 28" H x 39.5" W Rachel Illingworth’s prints are quiet studies in structure and atmosphere. Using a reductive palette and geometric forms, she explores the balance between precision and softness — layering ink through shellac-coated cardboard plates to create subtle shifts in tone and texture. Her use of ombré and transparency draws the eye across the surface slowly, inviting close looks. The restrained color and form are not about simplicity, but about presence — how shape, repetition, and light can create space for reflection. Each print is a variation within a system: familiar, but never exactly the same. It’s in this gentle tension — between control and imperfection, clarity and haze — that the work quietly resonates. Read More
From the Terrace VIII Shellac plate monoprint relief with stencil, unframed 39.5" H x 28" W Rachel Illingworth’s prints are quiet studies in structure and atmosphere. Using a reductive palette and geometric forms, she explores the balance between precision and softness — layering ink through shellac-coated cardboard plates to create subtle shifts in tone and texture. Her use of ombré and transparency draws the eye across the surface slowly, inviting close looks. The restrained color and form are not about simplicity, but about presence — how shape, repetition, and light can create space for reflection. Each print is a variation within a system: familiar, but never exactly the same. It’s in this gentle tension — between control and imperfection, clarity and haze — that the work quietly resonates. Read More
From the Terrace IX Shellac plate monoprint relief with stencil, unframed 39.5" H x 28" W Rachel Illingworth’s prints are quiet studies in structure and atmosphere. Using a reductive palette and geometric forms, she explores the balance between precision and softness — layering ink through shellac-coated cardboard plates to create subtle shifts in tone and texture. Her use of ombré and transparency draws the eye across the surface slowly, inviting close looks. The restrained color and form are not about simplicity, but about presence — how shape, repetition, and light can create space for reflection. Each print is a variation within a system: familiar, but never exactly the same. It’s in this gentle tension — between control and imperfection, clarity and haze — that the work quietly resonates. Read More
From the Terrace IV Shellac plate monoprint relief with stencil, unframed 37" H x 28" W Rachel Illingworth’s prints are quiet studies in structure and atmosphere. Using a reductive palette and geometric forms, she explores the balance between precision and softness — layering ink through shellac-coated cardboard plates to create subtle shifts in tone and texture. Her use of ombré and transparency draws the eye across the surface slowly, inviting close looks. The restrained color and form are not about simplicity, but about presence — how shape, repetition, and light can create space for reflection. Each print is a variation within a system: familiar, but never exactly the same. It’s in this gentle tension — between control and imperfection, clarity and haze — that the work quietly resonates. Read More
67.1 Shellac plate monoprint relief etching ink on somerset paper, unframed 39.5" H x 26.5" W Rachel Illingworth’s prints are quiet studies in structure and atmosphere. Using a reductive palette and geometric forms, she explores the balance between precision and softness — layering ink through shellac-coated cardboard plates to create subtle shifts in tone and texture. Her use of ombré and transparency draws the eye across the surface slowly, inviting close looks. The restrained color and form are not about simplicity, but about presence — how shape, repetition, and light can create space for reflection. Each print is a variation within a system: familiar, but never exactly the same. It’s in this gentle tension — between control and imperfection, clarity and haze — that the work quietly resonates. Read More
33.4 Shellac plate monoprint relief etching ink on somerset paper, unframed 40" H x 30" W Rachel Illingworth’s prints are quiet studies in structure and atmosphere. Using a reductive palette and geometric forms, she explores the balance between precision and softness — layering ink through shellac-coated cardboard plates to create subtle shifts in tone and texture. Her use of ombré and transparency draws the eye across the surface slowly, inviting close looks. The restrained color and form are not about simplicity, but about presence — how shape, repetition, and light can create space for reflection. Each print is a variation within a system: familiar, but never exactly the same. It’s in this gentle tension — between control and imperfection, clarity and haze — that the work quietly resonates. Read More
33.3 Shellac plate monoprint relief etching ink on somerset paper, unframed 40" H x 30" W Rachel Illingworth’s prints are quiet studies in structure and atmosphere. Using a reductive palette and geometric forms, she explores the balance between precision and softness — layering ink through shellac-coated cardboard plates to create subtle shifts in tone and texture. Her use of ombré and transparency draws the eye across the surface slowly, inviting close looks. The restrained color and form are not about simplicity, but about presence — how shape, repetition, and light can create space for reflection. Each print is a variation within a system: familiar, but never exactly the same. It’s in this gentle tension — between control and imperfection, clarity and haze — that the work quietly resonates. Read More