Rainbow Bending Machine sewn fabric and linen collage 132" H x 144" W "Rainbow Bending" is a monumental, wall-born textile that pulses with the full spectrum — thousands of hand-cut fabric swatches in neon yellow, coral, cobalt, magenta, teal, and black sewn into dense horizontal striations that cascade and ripple across the surface like a living data stream or a landscape seen from altitude. Myers' process of cutting, collaging, and machine-stitching repurposed and donated fabrics gives the work both its remarkable visual intensity and its quiet social resonance — the accumulated material of everyday life transformed into something exuberant and entirely new. The piece refuses to lie flat, its surface buckling and folding away from the wall in soft dimensional waves that cast shadows and shift with the light, blurring the line between painting, quilt, and sculpture. Read More
In The Morning, At Night Remnant fabric collage 49" H x 49" W “In the Morning, at Night” is a dazzling, large-scale fabric work that pulses with color from edge to edge — hundreds of small textile squares in neon yellow, magenta, aqua, orange, teal, and black arranged into a dense, pixelated field that shifts and vibrates as the eye moves across it. More chromatic and restless than much of Myers' work, the composition has an almost overwhelming richness, the neutrals that anchor her other pieces here reduced to mere breathing room between an exuberant chorus of repurposed color. Expressive machine-stitched lines weave through the surface, fusing the accumulated swatches into a seamless whole that suggests a city from above, a technicolor landscape, or simply the sensation of two very different kinds of light — the bright openness of morning and the charged energy of night — held together in a single, luminous plane. Read More
A Cloud Passing Remnant fabric collage 47" H x 47" W “A Cloud Passing” is a luminous, large-scale fabric work built from hundreds of repurposed textile swatches — warm neutrals and soft aquas interlocking across the surface like an aerial view of shifting light on water or open sky. Myers' gestural, intuitive approach to quilt-making is fully on display here: expressive machine-stitched lines hold the composition together while vivid flashes of neon pink, orange, lime, and electric blue punctuate the quiet ground with an almost musical irregularity. Up close, the work reveals its layered humanity — the varied textures, frayed edges, and patterned scraps of donated and repurposed fabric — while from a distance it dissolves into something atmospheric and expansive, evoking exactly the fleeting, luminous quality its title promises. Andrea Myers explores the space between two and three dimensionality, hybridizing painting, sculpture and fiber arts. She creates beauty in layers. Mediums as varied as paper, fabric and wood are used in Andrea’s translation of color fields and picture planes. Using the language of color field painting combined with a guestural and a bit rebellious approach to quilt making, disparate color combinations, organic formations and shifting shapes merge. Read More
New Moons 9 Ink and acrylic on torn paper 14" H x 11" W “New Moons 9” is an intimate work on paper in which collaged strips of painted and repurposed material are layered into a softly glowing circle against a white ground. This iteration has a breezier, more open quality than others in the series — cool blues and muted greys drift across the upper register while neon yellow, magenta, orange, and aqua pulse through the middle and lower bands with loose, sun-warmed energy. The strips vary between flat swatches and gestural, brushed surfaces, creating a pleasing tension between the precise and the painterly. The overall effect is light-filled and expansive, like a color field landscape caught at its most luminous moment. Andrea Myers explores the space between two and three dimensionality, hybridizing painting, sculpture and fiber arts. She creates beauty in layers. Mediums as varied as paper, fabric and wood are used in Andrea’s translation of color fields and picture planes. Using the language of color field painting combined with a guestural and a bit rebellious approach to quilt making, disparate color combinations, organic formations and shifting shapes merge. Read More
New Moons 6 Ink and acrylic on torn paper 14" H x 11" W “New Moons 6” is an intimate work on paper in which Myers arranges collaged strips of painted and repurposed material into a luminous circle against a clean white ground. This iteration feels boldly electric — broad bands of neon yellow and chartreuse dominate the center, cut through with hot pink, orange, and red in the upper register, while cooler expanses of powder blue and soft grey anchor the lower half, creating a sense of contrast that crackles with energy. The strips vary in scale and texture, some painterly and gestural, others flat and precise, the interplay between them giving the composition a dynamic, shifting quality. Contained within its circular boundary yet restless within it, the work balances structure and exuberance in equal measure. Andrea Myers explores the space between two and three dimensionality, hybridizing painting, sculpture and fiber arts. She creates beauty in layers. Mediums as varied as paper, fabric and wood are used in Andrea’s translation of color fields and picture planes. Using the language of color field painting combined with a guestural and a bit rebellious approach to quilt making, disparate color combinations, organic formations and shifting shapes merge. Read More
New Moons 3 Ink and acrylic on torn paper 14" H x 11" W “New Moons 3” is an intimate work on paper in which Myers gathers her language of layered, horizontal striations into a single glowing circle set against a clean white field. Bands of periwinkle and dove grey are cut through with vivid orange brushstrokes, neon yellow, magenta, and a jolt of teal green, the collaged strips overlapping with a loose, painterly confidence. The disc hums with an internal rhythm, each horizontal layer contributing to a whole that feels simultaneously structured and free — focused and vibrant, carrying all the expressive energy of Myers' large-scale work distilled into something quietly powerful. Andrea Myers explores the space between two and three dimensionality, hybridizing painting, sculpture and fiber arts. She creates beauty in layers. Mediums as varied as paper, fabric and wood are used in Andrea’s translation of color fields and picture planes. Using the language of color field painting combined with a guestural and a bit rebellious approach to quilt making, disparate color combinations, organic formations and shifting shapes merge. Read More
New Moons 1 Acrylic and ink on torn paper 14" H x 11" W “New Moons 1” is an intimate work on paper in which Myers contains her signature language of layered, striating color fields within a single luminous circle — cool blues and silvers in the upper half giving way to vivid bursts of magenta, neon yellow, orange, and red below, suggesting a horizon or the shifting surface of something celestial. The circular form feels both geometric and organic, the hard boundary of the disc in quiet tension with the loose, painterly strips of collaged material within it. Small in scale but confident in color, it distills Myers' larger immersive works into something focused and jewel-like — a world unto itself, balanced between order and exuberance. Andrea Myers explores the space between two and three dimensionality, hybridizing painting, sculpture and fiber arts. She creates beauty in layers. Mediums as varied as paper, fabric and wood are used in Andrea’s translation of color fields and picture planes. Using the language of color field painting combined with a guestural and a bit rebellious approach to quilt making, disparate color combinations, organic formations and shifting shapes merge. Read More
Soft Shadows 3 Ink and acrylic on torn layered paper 30" H x 22" W “Soft Shadows 3” is a meditative work on paper composed of rows of small hand-rendered oval forms in white, silver, and soft black. This iteration feels the most tonally varied of the series — the forms shifting between near-transparent rings and deeply shadowed cores, creating a subtle sense of depth and movement across the grid. Occasional punctuations of pure black anchor the composition without disrupting its quiet rhythm, like rests in a piece of music. The accumulative, patient quality of Myers' practice is fully present here, each small mark contributing to a whole that is calm, considered, and gently absorbing. Andrea Myers explores the space between two and three dimensionality, hybridizing painting, sculpture and fiber arts. She creates beauty in layers. Mediums as varied as paper, fabric and wood are used in Andrea’s translation of color fields and picture planes. Using the language of color field painting combined with a guestural and a bit rebellious approach to quilt making, disparate color combinations, organic formations and shifting shapes merge. Read More
Soft Shadows 2 Ink and acrylic on layered torn paper 30" H x 22" W “Soft Shadows 2” is a meditative work on paper built from rows of small, hand-rendered oval forms in a near-monochromatic palette of white, silver, and soft black. This iteration feels lighter and more open than its companion — the forms slightly more spare, the white of the paper breathing more freely between and within each mark — yet the same patient, accumulative instinct is fully present. Each oval is subtly distinct, its layered concentric rings suggesting something natural and cyclical, like cells, stones, or the slow record of time. The overall effect is quietly hypnotic, the gentle repetition drawing the eye slowly across the surface and inviting a closer, more contemplative look. Andrea Myers explores the space between two and three dimensionality, hybridizing painting, sculpture and fiber arts. She creates beauty in layers. Mediums as varied as paper, fabric and wood are used in Andrea’s translation of color fields and picture planes. Using the language of color field painting combined with a guestural and a bit rebellious approach to quilt making, disparate color combinations, organic formations and shifting shapes merge. Read More
Soft Shadows 1 Ink and acrylic on layered torn paper 30" H x 22" W “Soft Shadows 1” is a quiet, meditative work on paper that marks a striking departure from Myers' vibrant color fields — here, rows of small hand-rendered oval forms fill the surface in a near-monochromatic palette of white, silver, and soft black. Each oval is unique, built up with layered concentric marks that give the forms a tactile, almost geological quality — like cross-sections of stone, or the growth rings of something very small and very old. The repetition is hypnotic, the subtle variations in tone and mark from one form to the next keeping the grid alive and breathing. Restrained and precise, it demonstrates the full range of Myers' practice — that the same patient, accumulative instinct that drives her most exuberant works is equally at home in stillness. Andrea Myers explores the space between two and three dimensionality, hybridizing painting, sculpture and fiber arts. She creates beauty in layers. Mediums as varied as paper, fabric and wood are used in Andrea’s translation of color fields and picture planes. Using the language of color field painting combined with a guestural and a bit rebellious approach to quilt making, disparate color combinations, organic formations and shifting shapes merge. Read More
Sky Seams Remnant fabric collage 48" H x 60" W “Sky Seams” is a large, exuberant fabric work in which a densely packed field of multicolored textile swatches floats against a warm linen ground, its edges deliberately unresolved — aqua strips of fabric extending beyond the composition's boundary as if the work is still in the act of becoming. The central mass is a jubilant accumulation of hundreds of repurposed fabric pieces in magenta, neon yellow, orange, teal, chartreuse, red, and grey, stitched together with expressive machine-sewn lines that read like drawn marks across the surface. The exposed linen surround gives the piece a sense of breathing room, framing the chromatic density at the center and making the distinction between painting and textile, finished and unfinished, intentional and intuitive, feel very much like the point. Read More
Tear Tear Remnant fabric collage stretched on wood cradle 25" H x 25" W “Tear Tear” is one of Myers' most visually striking works — a towering form built entirely from teardrop-shaped pieces of deconstructed denim rises from the center of the composition, its layered indigo and grey-blue shapes overlapping like scales or feathers against a riotous background of horizontal fabric strips in neon yellow, pink, orange, teal, and black. The contrast is arresting: the cool, structured stillness of the denim form set against the exuberant, chromatic energy surrounding it. The title's double meaning — the act of tearing fabric and the shape of a tear — gives the work an emotional undertone that runs quietly beneath its bold visual surface, a reminder that Myers' repurposed materials carry their own history and weight. Read More