No. 21

No. 21

  • Watercolor on paper
  • 30" H x 42" W
"No. 21" is a watercolor on paper by Dodi Fredericks — a spare, luminous landscape in which a broad sky of cornflower blue gives way to sweeping horizontal bands of pale white cloud, and below, a narrow strip of golden yellow transitions into a band of olive green earth. The composition is reduced to its essentials: sky, light, and land, each zone painted with the fluid looseness that watercolor on paper uniquely allows, the pigment settling and softening at its own pace. Shaped by Fredericks' backgrounds in pottery and landscape architecture, the work holds space quietly — less a record of a specific place than a mood, a quality of afternoon light, something the viewer's own memory may recognize before the eye has fully taken it in.
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No. 17

No. 17

  • Watercolor on paper
  • 9" H x 9" W
"No. 17" is an atmospheric watercolor landscape painting on archival paper that captures the electric tension of an approaching Pacific Northwest storm — a massive, dark charcoal sky pressing down toward the earth with palpable weight, its swirling grey mass broken only by pale wisps of light that hint at the calmer weather it has displaced. Below, a vivid band of golden yellow and sage green fields glows with almost surreal warmth against the darkening sky, the contrast between the luminous earth and the threatening atmosphere above creating a charged, cinematic quality that is distinctly of this region. Fredericks' intuitive watercolor wash renders the sky with remarkable tonal depth and movement, the marks of the brush still visible in the cloud cover, grounding the painting in the physical act of its making.
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No. 30

No. 30

  • Watercolor on paper
  • 11" H x 30" W
"No. 30" is an atmospheric watercolor landscape painting on archival paper whose panoramic format perfectly suits its subject — a vast, rolling Pacific Northwest landscape stretching wide beneath a layered sky of soft lavender-grey and white, the horizontal composition amplifying the expansive stillness of the scene. Dark, rounded hills sweep across the lower half of the painting in deep olive and forest green, while a single luminous band of golden yellow glows at the midline where a break in the clouds allows light to reach the earth — a fleeting moment of warmth in an otherwise overcast world. Fredericks' intuitive watercolor wash captures the particular quality of diffuse northwest light with quiet precision, the softness of the medium perfectly matched to the softness of a landscape held gently between weather and sky.
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No. 31

No. 31

  • Watercolor on paper
  • 11" H x 30" W
"No. 31" is an atmospheric watercolor landscape painting on archival paper that captures the last warmth of a Pacific Northwest sunset over a dark tidal flat, its panoramic format stretching the moment across a wide, cinematic horizon. A luminous sky of warm gold and amber dominates the upper portion, soft grey clouds drifting through the glow like embers, while the land below recedes into deep navy and near-black — interrupted by thin, shimmering lines of reflected gold where water catches the fading light. The contrast between the radiant sky and the darkened earth gives the painting an almost meditative gravitas, Fredericks' fluid watercolor wash dissolving the boundary between atmosphere and place into something felt as much as seen.
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No. 50

No. 50

  • Watercolor on paper, framed
  • 31" H x 39" W
"No. 50" is an abstract watercolor painting on archival paper, presented in a white frame, that captures the mood of a Pacific Northwest coastal scene through sweeping planes of charcoal, silver, and warm grey — a luminous diagonal of pale light cutting through the darkness like a breaking wave or a beam of winter sun over still water. Vertical streaks of rain or mist at the upper left add a sense of weather and motion, the whole composition feeling caught in the charged moment between storm and clearing.
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No. 62

No. 62

  • Watercolor on paper
  • 11" H x 11" W
"No. 62" is an abstract watercolor painting on archival paper suffused with warm golden ochre and deep olive-grey, its intersecting planes of color meeting at sharp angles like the geometry of harvested fields seen from above — a thin line of bright gold catching the light at the center, dark ink marks punctuating the composition with quiet precision. Rich and earthy in palette, it evokes the late-season landscape of the Pacific Northwest interior at its most elemental.
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Skyline

Skyline

  • Watercolor on paper, comes with 3.5" white matte
  • 10" H x 10" W
  • 17" H x 17" W with matte
Dodi’s deconstructed landscapes provide us with a platform for musings and imagining. A sense of place in every painting, we are transported to the land of our choosing helped along the way with the slopes and colorways of Dodi’s hand.
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Heavy Weather

Heavy Weather

  • Watercolor on paper, framed
  • 7" H x 7" W, framed size 15" x 15"
This atmospheric landscape watercolor painting on archival paper by Dodi Fredericks depicts a stormy sky with a vibrant light reflecting off a pasture filled with wildflowers in France. The softness of the wash creates a feeling of being in harmony with nature. The word "France" is embedded in the field like a vintage postcard. This work is professionally framed and ready to hang. Dodi’s deconstructed landscapes provide us with a platform for musings and imagining. A sense of place in every painting, we are transported to the land of our choosing helped along the way with the slopes and colorways of Dodi’s hand.
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No. 61

No. 61

  • Watercolor on paper
  • 11" H x 11" W
"No. 61" is an abstract watercolor painting on archival paper that embraces open space — a luminous pale grey ground dominates the composition, anchored by deep indigo-black masses at upper left and lower right, with just a few spare ink marks floating in between like a distant bird or a jet trail dissolving across a wide winter sky. The restraint is the point, the vast quietness of the pale ground evoking the expansive stillness of a Pacific Northwest overcast day.
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No. 60

No. 60

  • Watercolor on paper
  • 11" H x 11" W
"No. 60" is an abstract watercolor painting on archival paper where bold calligraphic marks in deep indigo-black float across a soft ground of cool grey and warm golden amber — the gestural clusters and trailing ink lines evoking distant tree lines, farm structures, or birds crossing a wide open sky. The interplay of the fluid washes and decisive marks gives the small painting an outsized sense of space and movement, the Pacific Northwest landscape distilled to pure feeling.
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No. 54

No. 54

  • Watercolor on paper
  • 11" H x 11" W
"No. 54" is an abstract watercolor painting on archival paper where soft planes of warm sand, pale gold, and cool silver-grey intersect at quiet angles, fine ink lines tracing the boundaries between them like the edges of tidal flats seen from above. The muted, mineral palette and understated composition give the work a contemplative stillness — a Pacific Northwest landscape reduced to its most elemental geometry.
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No. 53

No. 53

  • Watercolor on paper
  • 11" H x 11" W
"No. 53" is an abstract watercolor painting on archival paper that glows with a rich golden amber wash — warm and expansive as late harvest light — meeting a cool silver-grey ground at a diagonal horizon, with flashes of burnt orange and fine calligraphic ink marks threading between the two like grasses bending in an autumn wind. Small and quietly radiant, it distills the warmth of a Pacific Northwest autumn into a single, effortless gesture.
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