Artist: Zachary Schomburg

• House paint and chalk pastel on raw canvas.
• 51" H x 51" W

Two Women on the Shore is a captivating new collection by Zachary Schomburg that reimagines Edvard Munch’s 1895 block print of the same name through a contemporary, expressive lens. Working in large-scale abstraction on raw canvas, Schomburg draws inspiration from the eight evocative colors in Munch’s original, using them as emotional anchors for his own visual language.

Each piece unfolds through bold gestures and atmospheric shifts, offering a meditation on memory, presence, and the space between figures. Schomburg’s compositions blur the lines between subject and setting—where the essence of two women on a shoreline becomes a broader exploration of companionship, longing, and the slow pull of time.

Rendered with a painterly sensitivity and a cinematic sense of stillness, this body of work invites viewers to experience both the echoes of Munch’s legacy and the immediacy of Schomburger’s vision. We invite you to see this striking collection in person and step into its quiet, resonant world.

• House paint and chalk pastel on raw canvas.
• 26" H x 54" W

Two Women on the Shore is a captivating new collection by Zachary Schomburg that reimagines Edvard Munch’s 1895 block print of the same name through a contemporary, expressive lens. Working in large-scale abstraction on raw canvas, Schomburg draws inspiration from the eight evocative colors in Munch’s original, using them as emotional anchors for his own visual language.

Each piece unfolds through bold gestures and atmospheric shifts, offering a meditation on memory, presence, and the space between figures. Schomburg’s compositions blur the lines between subject and setting—where the essence of two women on a shoreline becomes a broader exploration of companionship, longing, and the slow pull of time.

Rendered with a painterly sensitivity and a cinematic sense of stillness, this body of work invites viewers to experience both the echoes of Munch’s legacy and the immediacy of Schomburger’s vision. We invite you to see this striking collection in person and step into its quiet, resonant world.

• House paint and chalk pastel on raw canvas
• 51" H x 51" W

Two Women on the Shore is a captivating new collection by Zachary Schomburg that reimagines Edvard Munch’s 1895 block print of the same name through a contemporary, expressive lens. Working in large-scale abstraction on raw canvas, Schomburg draws inspiration from the eight evocative colors in Munch’s original, using them as emotional anchors for his own visual language.

Each piece unfolds through bold gestures and atmospheric shifts, offering a meditation on memory, presence, and the space between figures. Schomburg’s compositions blur the lines between subject and setting—where the essence of two women on a shoreline becomes a broader exploration of companionship, longing, and the slow pull of time.

Rendered with a painterly sensitivity and a cinematic sense of stillness, this body of work invites viewers to experience both the echoes of Munch’s legacy and the immediacy of Schomburger’s vision. We invite you to see this striking collection in person and step into its quiet, resonant world.

• House paint and chalk pastel on raw canvas.
• 51" H x 51" W

Two Women on the Shore is a captivating new collection by Zachary Schomburg that reimagines Edvard Munch’s 1895 block print of the same name through a contemporary, expressive lens. Working in large-scale abstraction on raw canvas, Schomburg draws inspiration from the eight evocative colors in Munch’s original, using them as emotional anchors for his own visual language.

Each piece unfolds through bold gestures and atmospheric shifts, offering a meditation on memory, presence, and the space between figures. Schomburg’s compositions blur the lines between subject and setting—where the essence of two women on a shoreline becomes a broader exploration of companionship, longing, and the slow pull of time.

Rendered with a painterly sensitivity and a cinematic sense of stillness, this body of work invites viewers to experience both the echoes of Munch’s legacy and the immediacy of Schomburger’s vision. We invite you to see this striking collection in person and step into its quiet, resonant world.

• House paint and chalk pastel on raw canvas.
• 36" H x 52" W

Two Women on the Shore is a captivating new collection by Zachary Schomburg that reimagines Edvard Munch’s 1895 block print of the same name through a contemporary, expressive lens. Working in large-scale abstraction on raw canvas, Schomburg draws inspiration from the eight evocative colors in Munch’s original, using them as emotional anchors for his own visual language.

Each piece unfolds through bold gestures and atmospheric shifts, offering a meditation on memory, presence, and the space between figures. Schomburg’s compositions blur the lines between subject and setting—where the essence of two women on a shoreline becomes a broader exploration of companionship, longing, and the slow pull of time.

Rendered with a painterly sensitivity and a cinematic sense of stillness, this body of work invites viewers to experience both the echoes of Munch’s legacy and the immediacy of Schomburger’s vision. We invite you to see this striking collection in person and step into its quiet, resonant world.

• House paint and chalk pastel on raw canvas.
• 54" H x 56.5" W

Two Women on the Shore is a captivating new collection by Zachary Schomburg that reimagines Edvard Munch’s 1895 block print of the same name through a contemporary, expressive lens. Working in large-scale abstraction on raw canvas, Schomburg draws inspiration from the eight evocative colors in Munch’s original, using them as emotional anchors for his own visual language.

Each piece unfolds through bold gestures and atmospheric shifts, offering a meditation on memory, presence, and the space between figures. Schomburg’s compositions blur the lines between subject and setting—where the essence of two women on a shoreline becomes a broader exploration of companionship, longing, and the slow pull of time.

Rendered with a painterly sensitivity and a cinematic sense of stillness, this body of work invites viewers to experience both the echoes of Munch’s legacy and the immediacy of Schomburger’s vision. We invite you to see this striking collection in person and step into its quiet, resonant world.

• Acrylic on canvas
• 16" H x 16" W

Zachary Schomburg is a painter working with acrylics who is inspired by the loose energy and bright masses of artists like Helen Frankenthaler and Etel Adnan. For Schomburg, who is also a poet, painting is an act of letting go, of sustaining surprise, and of listening. 

• Acrylic on canvas
• 45" H x 35" W

Zachary Schomburg is a painter working with acrylics who is inspired by the loose energy and bright masses of artists like Helen Frankenthaler and Etel Adnan. For Schomburg, who is also a poet, painting is an act of letting go, of sustaining surprise, and of listening.

• Acrylic on canvas, framed
• 44" H x 62" W

Zachary Schomburg is a painter working with acrylics who is inspired by the loose energy and bright masses of artists like Helen Frankenthaler and Etel Adnan. For Schomburg, who is also a poet, painting is an act of letting go, of sustaining surprise, and of listening. 

• Acrylic on canvas, framed
• 46" H x 36" W

Zachary Schomburg is a painter working with acrylics who is inspired by the loose energy and bright masses of artists like Helen Frankenthaler and Etel Adnan. For Schomburg, who is also a poet, painting is an act of letting go, of sustaining surprise, and of listening. 

• Acrylic on canvas
• 30" H x 30" W

Zachary Schomburg is a painter working with acrylics who is inspired by the loose energy and bright masses of artists like Helen Frankenthaler and Etel Adnan. For Schomburg, who is also a poet, painting is an act of letting go, of sustaining surprise, and of listening. 

• Acrylic on canvas
• 29" H x 29" W

Zachary Schomburg is a painter working with acrylics who is inspired by the loose energy and bright masses of artists like Helen Frankenthaler and Etel Adnan. For Schomburg, who is also a poet, painting is an act of letting go, of sustaining surprise, and of listening.